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Things Can Get Sweaty: Thomas McGuane and Arlo Haskell on Writing Key West

01/21/2016  by Cara Cannella  Comment on this Post
Arlo Haskell and Thomas McGuane. Photo by Michael Blades.

Arlo Haskell and Thomas McGuane. Photo by Michael Blades.

In a recent conversation with Thomas McGuane about his Key West novels—the National Book Award-nominated Ninety-Two in the Shade (1973) and Panama (1978)—Key West Literary Seminar executive director Arlo Haskell placed the “magical pair” alongside Ernest Hemingway’s Prohibition-era To Have and Have Not among the great literary time capsules of this place.

On stage at the San Carlos Institute, McGuane read aloud from Ninety-Two in the Shade at Haskell’s prompting: “When the sun first assembles itself over the broken skyline of Key West on a morning of great humidity, a thunderous light fills the city and everyone moves in stately flotation through streets that are conduits of something empyrean. Also, things can get sweaty.”

The passage, as Haskell pointed out, is classic McGuane, with its lyrical and visceral understanding of this subtropical island and its surrounding waters, where the author arrived in 1969 and stayed and fished for a decade. Haskell, born in the Keys in 1977 and raised at the tail end of the region’s “outlaw” era of interconnected drug runners, smugglers, fishermen, carpenters, and artists, discovered in McGuane’s light and moisture-filled novels the “character of place with a literary, even poetic, sensibility.” No one since has quite captured the feeding patterns of fish frequenting the flats around the island, or, as Wallace Stevens described it, the island chain’s “mountainous atmospheres of sky and sea.”

In their conversation, McGuane described his infatuation with the diversity of late 1960s Key West. “It was paradise for someone looking for things interesting enough to write about,” he said of its then low-key marijuana trade, sailboats, acoustic guitars, and hippies in cut-offs and bare feet. “Those of us who were here then felt something intangible that happened during those years. We’ll never quite get over our years in Key West. I’m sure that energy is what made me excited to write novels set here.”

Over the next decade, McGuane explained, Key West went from being a pot town to a coke town characterized by “guys with glocks in Italian suits.” By end of the 1970s, “it was a sinister place,” and that difference is reflected in Ninety-Two in the Shade and Panama. “Ninety-Two is a very hopeful book informed by love of people and place. Panama is grim, founded in despair. I see this only in retrospect, but that’s the arc I felt in that era.”

Of his nearly two dozen published books, McGuane feels especially close to his Key West novels. “When I wrote Panama, it was as if I was having a seizure or something,” he said of the sustained effort to express this thing coursing through his mind and spirit. “It wasn’t a pleasant experience, necessarily, but it was that kind of outpouring that doesn’t happen enough. I worked on Ninety-Two in the Shade so closely that I could recite it. Sometimes I wish I could reconnect with those intense experiences and tap into that compulsion. It’s a rare thing.”

Although McGuane now lives on a Montana ranch at the end of a long dirt road, in a natural and social world far from the Key West of those novels, his life remains centered around reading, writing, and outdoor exploration.

“If you read continuously, and I hope you do,” he told an aspiring writer who asked for advice during the audience Q&A, “at some point in your evolution as reader you’ll find something missing in books and stories you read, and you might feel like you’re the person who can fill that void.”

Reading and writing, cut-offs and bare feet, sky and sea, Haskell and McGuane: Magical pairings, they go on.

Joy Williams on Why She Writes

01/10/2016  by Vincent Scarpa  Comment on this Post
Joy Williams. Photo by Nick Doll.

Joy Williams. Photo by Nick Doll.

A better beginning to the last day of a writing conference can scarcely be imagined: a reading from the fearless, peerless Joy Williams. Joy is, for so many writers, a titan, a legend—a writer we feel we are writing in the great shadow of, and whose work proves instructive and essential to our practice and our lives. She took to the stage Sunday morning, donning her signature dark sunglasses, and read first from 99 Stories of God, once an e-book put out by Byliner but soon to be brought into print by Tin House.

The stories are very short—some just a few lines, hardly any longer than a page—and, like all of Joy’s fiction, they are expert portraitures, providing brief but nuanced peeks into lives and moments marked by longing, need, surreality, and existential confusion. In a story titled “And You Are…,” a bride and groom ask an uninvited man to leave their wedding. Just a few sentences later we learn, “the divorce cost seventeen times what the wedding had, and the children didn’t turn out all that well either.” In “Fathers and Sons,” The Lord communes in a den with a pack of wolves, wondering why the world is out to exterminate the glorious creatures. And in “Whale,” an elderly couple reminisces about a game they haven’t played in years, a game of seeing who could make the other cry in the fewest words possible. The story’s title comes from a remembered line once played in the game: “The last whale swam deeper.”

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Inside the New Yorker : Daniel Menaker in Conversation with James Gleick

01/10/2016  by Cara Cannella  Comment on this Post
James Gleick and Daniel Menaker. Photo by Nick Doll.

James Gleick and Daniel Menaker. Photo by Nick Doll.


 

In last night’s John Malcolm Brinnin Memorial Event, “The Inside Story: Fiction at the New Yorker,” a revealing conversation unfolded between Daniel Menaker and James Gleick through historic anecdotes, textual analysis, and plenty of juicy bits.

“Was there allowed to be sex?” Gleick asked of stories that ran during Menaker’s decades-long tenure as a contributor and editor of fiction, alluding to the magazine’s restraint, especially under William Shawn, its second editor. “No,” said Menaker. From the long pause that followed, the crowd erupted in laughter, and the literary code-cracking continued.

In a candid and witty tone familiar to readers of his 2013 memoir My Mistake, Menaker chronicled his sometimes bumpy ascent at the New Yorker, where he was hired as a fact checker in 1969 and stayed for the next twenty-five years. With the support of William Maxwell—and input from other crucial characters, including Roger Angell, Robert Gottlieb, and Tina Brown—Menaker grew as an editor, eventually helping to shape the work of some of the twentieth century’s most influential writers. This year’s KWLS panelists Ann Beattie and Antonya Nelson were among them, along with Mavis Gallant, David Foster Wallace, and Alice Munro.

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Yiyun Li and Victor LaValle on Giving Life to Characters

01/10/2016  by Kate Peters  Comment on this Post
Yiyun Li and Victor LaValle. Photo by Nick Doll.

Yiyun Li and Victor LaValle. Photo by Nick Doll.

Midmorning on Saturday, Yiyun Li and Victor LaValle took the stage for “Immune to Folly: Character and Self,” a joint reading and conversation. The talk’s title made reference to a concept from one of Li’s essays, Dear Friend, From My Life I Write to You in Your Life.

Li had arrived in the Unites States “an aspiring immunologist,” and on the subject of the immune system, she read, “its memories can go awry, selectively or worse, indiscriminatingly, leading the system to mistake self as foreign, as something to eliminate.” Immunity, she said, is “a trait that I have desired for my characters and myself, knowing all the same the futility of such a wish: Only the lifeless can be immune to life.”

Li also read two passages from her 2015 novel Kinder Than Solitude, both to resounding applause from the San Carlos audience. About the first, a lyrical passage highlighting the pleasures of a solitary life, Li shared that a trusted friend and reader had bracketed it with the curt annotation: “B.S.” The second passage, appearing later in her novel, contained the character’s realization that her belief in solitude was a delusion: “The crowdedness of family life and the faithfulness of solitude…make little dent…on the profound and perplexing loneliness in which every human heart dwells.”

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Claudia Rankine and Kevin Young on Influence in Art and Poetry

01/09/2016  by Nick Vagnoni  Comment on this Post
P. Scott Cunningham, Claudia Rankine, and Kevin Young

P. Scott Cunningham, Claudia Rankine, and Kevin Young

The Friday session of the 2016 Key West Literary Seminar was capped off by a conversation between poets Claudia Rankine and Kevin Young, moderated by P. Scott Cunningham, a poet himself and also the director of the O, Miami Poetry Festival. The talk, titled “Art from Art from Life: Poetry & Its Sources,” began with Cunningham asking Rankine what might have been lost had images not been present in her most recent work, Citizen. Rankine replied that one of her main goals with the book was to explore visual culture—and interactions between blackness and whiteness, in particular—without trying to control the reader’s experience. “When one looks at an image, one can go anywhere,” she said.

In her view, the book creation process is curatorial—a way of stepping into and dissecting cultural moments to access feeling in ways that newspaper or textbook accounts might not. “I’m only interested in the fact of it,” she said, “because the fact of it accumulates to account for the feeling, and then the feeling leads me to the lyric.”

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Billy Collins on Walt Whitman, Buddy Holly, and Poetry’s Visible Games

01/09/2016  by Nick Vagnoni  Comment on this Post
Billy Collins discusses “Visible Games: Poetry in the Aftermath of Rhyme and Meter.” Photo by Nick Doll.

Billy Collins discusses “Visible Games: Poetry in the Aftermath of Rhyme and Meter.” Photo by Nick Doll.

The second full day of the 2016 Key West Literary Seminar began with a talk by Billy Collins entitled “Visible Games: Poetry in the Aftermath of Rhyme and Meter.” To connect his talk to the theme of this year’s Seminar, Collins reminded us all that poets are the “kings and queens of shortness,” giving a few examples such as Howard Nemerov’s “Bacon and Eggs,” W.S. Merwin’s “Elegy,” and a haiku of his own.

The main topic of his talk, however, was the disappearance of rhyme and meter from modern poetry and the introduction of other “visible games” in their place. Collins recalled how, during a post-reading Q&A, a young girl asked him why his poems didn’t rhyme, and he confessed that he simply wasn’t very good at it. The reason the girl has asked him this question, Collins speculated, was that she didn’t hear in his work the kind of music she was accustomed to hearing—the rhyme and meter many listeners come to expect from poetry. Rhythms such as the iamb are inherent in human processes like heartbeats and breathing, Collins said, adding that rhythm and meter have long been “the superglue of poetry,” the “ice or salt,” without which, as Yeats said “all that is personal soon rots.”

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Hilton Als and Junot Diaz on Baldwin and the Short Form

01/08/2016  by Shayne Benowitz  Comment on this Post
SHAYNE QUOTE TK. Junot Díaz and Hilton Als in Conversation: "Baldwin's Children, or, Our Bodies Long for (a) Home: Belonging, Exile, and Love in African Diaspora Letters."

Junot Díaz and Hilton Als in conversation.

The John Hersey Memorial Event inaugurated the 34th Annual Key West Literary Seminar Thursday evening with a conversation between Junot Díaz and Hilton Als entitled “Baldwin’s Children, or, Our Bodies Long for (a) Home: Belonging, Exile, and Love in African Diaspora Letters.”

Both authors credit James Baldwin’s short stories and essays as enormous influences on their work as writers of color, and for the Dominican-born Díaz, on helping him to understand exile in light of the immigrant experience.

Both Díaz and Als agree that the short fiction form has been immensely influenced by the essay.

“There’s something achingly true about the short form’s ability to wrestle with complexity,” Díaz contends, whereas “the only agreement in the novel is that it won’t end until the last page.”

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Shorts: Night One in Pictures

01/08/2016  by Cara Cannella  1 Comment

Shorts: Stories, Essays & Other Briefs kicked off last night with a celebration of James Baldwin, the short form, and Arlo Haskell’s inaugural year as Executive Director of the Key West Literary Seminar. All photos by Nick Doll.

Stage design by Cayman Smith-Martin.
Stage design by Cayman Smith-Martin.
Hilton Als inherited a love of language from his mother, who was also his first reader. As a young writer, he left drafts for her in the kitchen late at night. By morning, she would leave comments.
Hilton Als inherited a love of language from his mother, who was also his first reader. As a young writer, he left drafts for her in the kitchen late at night. By morning, she would leave comments.
Podium and stage design by Cayman Smith-Martin.
Podium and stage design by Cayman Smith-Martin.
“How do we find a home?” Díaz asked. “One has to journey far to find a place you can call home—[a place] to rest your head and your heart.”
“How do we find a home?” Díaz asked. “One has to journey far to find a place you can call home—[a place] to rest your head and your heart.”
Hilton Als signs one of his books for KWLS attendee.
Hilton Als signs one of his books for KWLS attendee.
Arlo Haskell, celebrating his inaugural year as Executive Director of KWLS.
Arlo Haskell, celebrating his inaugural year as Executive Director of KWLS.
Jono Helmerich and Matthew Helmerich, patrons of KWLS.
Jono Helmerich and Matthew Helmerich, patrons of KWLS.
KWLS Technical Director Ian Rowan and Dan Simpson of Private Ear Recording Studio.
KWLS Technical Director Ian Rowan and Dan Simpson of Private Ear Recording Studio.
Craft cocktail service provided by Aimee McNally, Nic Talbot-Richards, Jason Rowan of Embury Cocktails, and Daniel Shoemaker of Teardrop Lounge and The Commissary in Portland, Oregon.
Craft cocktail service provided by Aimee McNally, Nic Talbot-Richards, Jason Rowan of Embury Cocktails, and Daniel Shoemaker of Teardrop Lounge and The Commissary in Portland, Oregon.
KWLS Board Member Nancy Klingener, Mark Hedden, and Nick Vagnoni.
KWLS Board Member Nancy Klingener, Mark Hedden, and Nick Vagnoni.

Schedule Announced for “Shorts”

12/11/2015  by Lindsay Malboeuf  Comment on this Post
Opening night speakers, Hilton Als and Junot Díaz. Photos by Thea Goldberg and Nina Subin
Opening night speakers, Hilton Als and Junot Díaz. Photos by Thea Goldberg and Nina Subin

After almost two years of planning, the 34th annual Key West Literary Seminar—“Shorts: Stories, Essays, & Other Briefs”—is now just four weeks away. We are excited to unveil the complete schedule for one of the most eagerly anticipated programs in our history.

It all begins with the John Hersey Memorial Event on Thursday night, January 7, at the historic San Carlos Institute. Pulitzer Prize winner Junot Díaz and New Yorker theater critic and White Girls author Hilton Als take the stage at 7:00 for a special keynote conversation. Under the headline “Baldwin’s Children,” Díaz and Als are expected to touch on themes of home, exile, love, and belonging in short works by writers including Jamaica Kincaid and Octavia Butler, and in the essays and short stories of the great James Baldwin.

“By focusing on the short form,” Als writes, “we talk about how feelings, thoughts, politics, get distilled and compressed. Does the short form allow for greater or less intensity on the page, and in the reader’s imagination?”

That question will be explored throughout the weekend in a dynamic series of talks, readings, conversations, and interviews featuring twenty of today’s most accomplished practitioners of the short form. Highlights include a conversation with novelists and short-story writers Joy WilliamsKaren Russell, and Thomas McGuane (beginning from Williams’ observation that “a story is devious”); a talk by Gish Jen titled “Art, Culture, and Self”; a short-story reading by Ron Rash; and a dialogue between poets Claudia Rankine and Kevin Young on the roots of their verse in contemporary art, music, and culture.

Gish Jen, photo by Romana Vysatova / Thomas McGuane, photo by Bruce Weber / Ann Beattie, photo by Sigrid Estrada
Gish Jen, photo by Romana Vysatova / Thomas McGuane, photo by Bruce Weber / Ann Beattie, photo by Sigrid Estrada

The program also promises in-depth interviews of Ann Beattie and Antonya Nelson led by Daniel Menaker, the former fiction editor of the New Yorker, where their first stories were published. The tables turn for Saturday night’s John Malcolm Brinnin Memorial Event, as James Gleick interviews Menaker about “the inside story” of short-fiction’s most famous publishing outlet, the New Yorker.

As part of a series of “Readings in Conversation,” Jim Shepard and Molly Antopol will read from each other’s work and talk about their historical research; while Yiyun Li and Victor LaValle will discuss their fictional characters and the temptations of identifying with them. Two-time U.S. Poet Laureate Billy Collins will deliver a rare lecture, “Visible Games: Poetry in the Aftermath of Rhyme and Meter”; and Thomas McGuane will talk with Seminar executive director Arlo Haskell about Panama and Ninety-two in the Shade, the iconic and era-defining short novels McGuane set in Key West. Finally, solo readings by Brad Watson and Kelly Link will give audience members an intimate look at recent and unpublished work including Watson’s forthcoming Miss Jane.

2016 Awards to Jacks, Scarpa, Stephens

11/16/2015  by Lindsay Malboeuf  Comment on this Post

We are pleased to announce the winners of this year’s Emerging Writer Awards.

The overall quality of the hundreds of submissions we received before this year’s deadline is testament to the fact that we live in a vibrant time, and in a world that is animated, informed, and documented by powerful literary impulses. Unique and divergent works are being produced by an astonishing number of writers. It is a good time to be a reader. 

Without further ado:

The winners are...

MARIANNE RUSSO AWARD

Jacks_Jordan-web

Jordan Jacks is the James C. McCreight Fiction Fellow at The Wisconsin Institute for Creative Writing. His work has appeared or is forthcoming in the Yale ReviewWeekday, and the Iowa Review. His story “Don’t Be Cruel” was recently listed as “Distinguished” in the 2015 edition of Best American Short Stories. Jacks has received fellowships from Bread Loaf, St. Albans School, and Washington University in St. Louis, where he received a master’s degree in 2012.

CECELIA JOYCE JOHNSON FICTION AWARD

Scarpa-Vincent-web

Vincent Scarpa is a third-year master’s candidate in fiction at the Michener Center for Writers. His stories and essays have appeared or are forthcoming in Electric Literature’s Recommended Reading,  StoryQuarterlyIndiana ReviewBrevity, and other journals. He is a previous recipient of the Norman Mailer College Fiction award. He tweets at @vincentscarpa.

SCOTTI MERRILL MEMORIAL AWARD

—selected by Billy Collins—

Stephens-Rob-web

Rob Stephens’ poetry has appeared in Epoch, Copper NickelLake Effect, Minnesota Review, and other journals. His nonfiction is forthcoming from Entropy. He is a PhD student in Creative Writing at Florida State University, where he also earned a Master of Library and Information Science. He lives in Tallahassee with his wife, Jaclyn Dwyer, and his daughter, Tallulah.

The Key West Literary Seminar Emerging Writer Awards recognize and support writers who possess exceptional talent and demonstrate potential for lasting literary careers. Each winner will join us in Key West and on stage for the 2016 Seminar and Writers’ Workshop Program, and receive a prize package including an honorarium and full support for travel and accomodations.

Teacher & Librarian Scholarships Announced

09/03/2015  by Arlo Haskell  Comment on this Post

Teachers and librarians are the vanguard of literary culture. Each day they welcome new members to the community of readers, curate resources that reveal the histories of our cities and families, foster discussions about important literary works, and encourage the development of new voices in American literature.

We recognize a number of such professionals each year, by providing scholarships to support their attendance at our annual Seminar. We hope that participation in our literary community in Key West will inspire fresh engagement with literature in schools and libraries around the country.

We are honored to announce the recipients of this year’s Teacher & Librarian Scholarships, twelve remarkable individuals who serve readers at public and private schools, major academic institutions, and small community libraries, in places including Lubbock, Texas; suburban Chicago; Washington D.C.; Las Vegas, Nevada; Brooklyn, New York; and South Florida.

Each honoree will receive a full waiver of the Seminar registration fee and support for lodging expenses, and will join us in the audience this January for the 34th annual Seminar, “Shorts: Stories, Essays, & Other Briefs,” featuring Hilton Als, Ann Beattie, Junot Díaz, Thomas McGuane, Claudia Rankine, Karen Russell, Joy Williams, and more.

Scholarships to teachers and librarians are made possible in large part by generous support from Judy Blume’s Kids Fund.

Please take a moment to learn about our winners below:


2015-16 Teacher & Librarian Scholarships


Awasom-Innocent-2-wb

Innocent Awasom

Christos-Lauren-1-wb

Lauren Christos

Innocent Awasom has been a teacher and librarian for the past nineteen years and is currently a Science Reference Librarian at Texas Tech University in Lubbock, Texas. He is liaison to the College of Agricultural Science and Natural Resources (CASNR) and the departments of Biological Sciences, Chemistry and Biochemistry; and the International Center for Arid and semi-Arid land Studies (ICASALS). He is passionate about providing access to, and ethical use of information resources to his students, faculty, staff, and community members. His writings and research dwells on narrative inquiry with a library and information science slant.

Lauren Christos
is a Reference and Research Librarian at Florida International University at the Biscayne Bay Campus. Her passions are serving as an intellectual freedom advocate and journeying to Burning Man.

Doreian-Ian-wb

Ian Doreian

Ian Doreian is an English teacher in Boston, Massachusetts, grounded in tenth-grade literature with the amazing students at John D. O’Bryant School of Mathematics and Science. Partnering with 826 Boston, his students write, edit, and publish an annual story collection centered on themes as varied as the food our families eat, to the paradox of memories so troubling they must be simultaneously remembered and forgotten. Coaching soccer, photographing concerts, and interviewing members of the Wu-Tang Clan takes up much of his free time.

Meghan Dunn

Meghan Dunn

Meghan Dunn lives in Brooklyn, NY, where she teaches English and serves as chairperson of the English department at the Brooklyn Latin School. She holds a master’s degree in Creative Writing from Emerson College and a bachelor’s in English from Boston College. Her poetry and prose have appeared in Ploughshares, Narrative, Poetry Northwest, Inch, and Post Road, among other publications.

Keisha Hester

Keisha M. Hester

Keisha M. Hester is a librarian at the Calumet City Public Library in suburban Chicago, Illinois. She loves to connect teens and adults with their next favorite read, and is currently working on her first novel.

Kelly Elaine Navies

Kelly Elaine Navies

Kelly Elaine Navies is a librarian, oral historian, writer, and the mother of an eleven-year-old girl. Currently, she works for the Washington, D.C., Public Library system in the Special Collections Department of the Martin Luther King, Jr. Memorial Library, which consists of Washingtoniana and the Black Studies Center. She received her undergraduate degree in African American Studies with an emphasis in Humanities from the University of California at Berkeley, and her master’s in Library and Information Science from Catholic University with a focus on Cultural Heritage Information. Her writing can be found in Poetry for the People: A Revolutionary Blueprint and Bum Rush The Page: A Def Poetry Jam.

Michael Nelson

Michael Nelson

Michael Nelson has been a public librarian for a little over a decade, and recently joined the staff of the Key West Public Library. He has master’s degrees in library science and creative writing, both from the University of South Florida.

Joey Rubin

Joey Rubin

Joey Rubin is a high school English teacher in Las Vegas, Nevada, where, as a member of the Teach for America 2014 Corps, he seeks to understand and mitigate the realities of educational inequity that his students face. He is also a graduate of the master’s program in creative writing at the University of Wyoming, and a cultural journalist whose work has appeared in the San Francisco Chronicle, Nerve.com, and other national publications.

Seamus Scanlon

Seamus Scanlon

Seamus Scanlon is a Carnegie Corporation/New York Times award-winning librarian at City College’s Center for Worker Education. The Center was founded by the unions in the 1980s so their members could access higher education via classes offered in the evenings and the weekends. Scanlon is also a playwright (The McGowan Trilogy, Dancing at Lunacy) and fiction writer (As Close As You’ll Ever Be). The Spanish translation of this collection is forthcoming from Artepoetica Press.

Danielle Sellers

Danielle Sellers

Originally from Key West, Danielle Sellers teaches literature and creative writing at Trinity Valley School in Fort Worth, Texas. She holds master’s degrees from The Writing Seminars at Johns Hopkins University and the University of Mississippi. Her poems have appeared in Prairie Schooner, Subtropics, the Cimarron Review, Smartish Pace, and elsewhere. Her first poetry collection, Bone Key Elegies, was published by Main Street Rag in 2009.

Yasmine Shamma

Yasmine Shamma

Dr. Yasmine Shamma is currently Assistant Professor of English at the Wilkes Honors College of Florida Atlantic University. Her research focuses on the relationship of twentieth-century poetry’s forms to local, pastoral and built environments. She is currently working on a Digital Humanities project which aims to illuminate this relationship for the reading public. She holds a master’s degree in English Literature from Georgetown University, and a doctorate in Philosophy from Oxford University.

Robert Wilder

Robert Wilder

Robert Wilder has been teaching at Santa Fe Preparatory School for twenty years. He is the inaugural winner of the Innovations in Reading Prize presented by the National Book Foundation.

Scholarship for Teachers, Librarians, Writers

04/14/2015  by Kali Fajardo-Anstine  Comment on this Post

Harris Elementary School, Key West, 1962-1963. Monroe County Public Library collection.

Do you know a teacher or librarian? How about a talented up-and-coming writer? To show our support for these passionate individuals, we’ve completely updated our Scholarship Program and streamlined the application process.

KWLS now provides ten national scholarships for teachers and librarians who wish to attend our annual Seminar. We offer Financial Assistance for up to twenty-five participants in our Writers’ Workshop Program. And we continue to present three annual Emerging Writer Awards. We’ve also stepped up our financial assistance program with work-study opportunities, and we’ve renewed our commitment to provide support for lodging expenses to those who may not otherwise be able to attend. Click the links below for a complete overview, as well as guidelines and applications for each opportunity.

Scholarship Program Overview
Teachers and Librarians Scholarships
Financial Assistance
Emerging Writer Awards

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