James Schuyler is the Villain of this Piece
Key Westers bemoan change. You should've seen it twenty years ago. You should have seen it last week. But look far enough, and you'll see we've made a habit of proclaiming ruin. Still, it's better here than not, and gems do turn up in what looks like faceless change. Today, it's condominiums. Yesterday, it was the Navy. Here's Elizabeth Bishop, in 1942:
Marjorie and I are leaving for Mexico on the fifteenth. We're flying to Mérida, where we'll stay awhile. Then we're going up to Mexico City and then find a cool place—on a lake—to stay for the summer—in fact maybe for "the duration," I don't know. It is impossible to live here any longer. The Navy takes over and tears down and eats up one or two blocks of beautiful little houses for dinner every day. Probably the house on White Street will go, too.
The local build-up for the war was an unprecedented disruption, with thousands of young servicemen and the bustle of war preparations altering the pace of daily life. Though only a part-time resident, Bishop owned a home and had begun to feel at home here. These new transients shook her claim on the place. Who were these crass military men who displaced Miss Bishop?
One of them was nineteen year-old James Schuyler, future Pulitzer-prize winning poet, "simply the best we have," according to John Ashbery, and member of the so-called New York School of poets, along with Ashbery, Frank O'Hara, and Kenneth Koch. That's Schuyler in the image above, enrolled in sonar school in Key West during the summer of '43, a year after Bishop's complaint. By delighful coincidence, Schuyler and Bishop worked on the base together as fellow patriots that summer. Neither was aware of the other, but Bishop wrote to Marianne Moore of her adventure in the Navy:
Bishop returned to Key West again and again over the years. According to a letter to Arthur Gold and Robert Fizdale, she first encountered Schuyler's work ("... and nice love poems, which are very rare") in 1971, on the recommendation of James Merrill. Schuyler opted for cooler coastal climes, spending long stretches of time with Fairfield and Anne Porter in their homes on Southampton and on Spruce Head Island, Maine, where he distilled moments like this one:
... I remember I'm
unalone, you are with me,
salty sneezes off Atlantic
Ocean, there, where you are
here, in my heart and head...
E.B. quotations are from letters to Charlotte Russel, April 2, 1942; and to Marianne Moore, September 1, 1943. See Elizabeth Bishop: One Art: Letters Selected and Edited by Robert Giroux. The Schuyler fragment is from the poem "Steaming Ties," from The Crystal Lithium.
1 Comments
Leave a comment
The journal of the Key West Literary Seminar features recordings from our
audio archives, exclusive interviews, essays, news about the Seminar, and
dispatches from Key West's literary past and present. It is created by Arlo
Haskell. Send email to arlo [at] kwls [dot] org
C O N N E C T
S U B S C R I B E
Audio recordings on this page and elsewhere on www.kwls.org are being made
available for educational and noncommmercial use only. All rights to the recorded
material belong to the author or authors speaking. © 2008, 2009.
The Key West Literary Seminar Audio Archives Project is sponsored in part by the
State of Florida, Department of State, Division of
Cultural Affairs, the Florida Council on Arts and Culture, and the National
Endowment for the Arts.



Wow -- what an amazing confluence of people wash onto and around this shore. And love the photo, too.