Key West Literary Seminar

Ann Beattie: Ambient Sound: 2008

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Beattie_Ann_pc.jpg Ann Beattie is the Edgar Allan Poe Chair of the University of Virginia's Department of English and Creative Writing. A short story writer and a novelist, she has received critical acclaim for her body of work and has been called "one of our era's most vital masters of the short form" by The Washington Post. In this recording from 2008, Beattie reads from a virtuosic essay-in-progress on the subject of ambient sound in works of literature. Beginning with accounts of poet John Ashbery's "managed chance" method of composing, the noises of drunken Parrotheads in Key West, and a discussion of clichés "whose repetition deadens language," Beattie arrives at a luxuriant analysis of technique in the fiction of James Joyce ("The Dead"), Raymond Carver ("Are These Actual Miles?"), and Richard Yates ("The Best of Everything").

From KWLS 2008: New Voices. (31:42) / 14.5 MB


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This recording is being made available for noncommercial and educational use only. All rights to this recorded material belong to the author. © 2008 Ann Beattie. Used with generous permission from Ann Beattie.

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The journal of the Key West Literary Seminar features recordings from our audio archives, exclusive interviews, essays, news about the Seminar, and dispatches from Key West's literary past and present. It is created by Arlo Haskell. Send email to arlo [at] kwls [dot] org

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This page contains a single entry by Arlo Haskell published on September 27, 2008 12:26 PM.

The Work Becomes Visible:a conversation with Hilma Wolitzer was the previous entry in this blog.

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Audio recordings on this page and elsewhere on www.kwls.org are being made available for educational and noncommmercial use only. All rights to the recorded  material belong to the author or authors speaking. © 2008, 2009.

The Key West Literary Seminar Audio Archives Project is sponsored in part by the State of Florida, Department of State, Division of Cultural Affairs, the Florida Council on Arts and Culture, and the National Endowment for the Arts.

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