Remembering Rust Hills

Rust Hills in the lobby of the Tennessee Williams Fine Arts Center, 1988. Photo by Doyle Bush.
The importance of Rust Hills to the world of American letters, particularly as fiction editor at Esquire, is well conveyed by the obituaries which ran in The New York Times, the Washington Post, and the Los Angeles Times. The enduring value of his own crisp, laugh-out-loud prose is plainly apparent in the idiosyncratic trio of books gathered together as How To Do Things Right. But Rust, who arrived in Key West in the early 1980s with his wife, the writer Joy Williams, was also a man who loved a day on the water; who played anagrams and poker, threw cocktail parties and chatted over the fence; and who will be remembered and missed by the many who knew him, first and finally, as a friend.
For this memorial, we turn to a handful of those who knew Rust in Key West. Recollections follow from writers Harry Mathews, Phyllis Rose, John Leslie, and William Wright, from former neighbor and barman John Vagnoni, and from sculptor and printmaker John Martini.

Joy Williams, Robert Richardson, Bill Wright, Rust, Phyllis Rose, Annie Dillard, and Robert Stone on a seawall at cocktail hour in Andros Island, Bahamas, 1997. Photo by Laurent de Brunhoff.

Rust toasting Les Standiford (center) and an unidentified man in January 1989. Photographer unknown.

Joy Williams, Rust, Monica Haskell, and James Wilson Hall in front of Captain Tony's Saloon in January of 1988 or 1989. Photograph by Doyle Bush.
Click to open "Three Sonnets for Rust Hills."

George Murphy, Rust, and David Kaufelt at a cocktail reception during the 1986 Seminar. Photographer unknown.
"Rust was a central member of the group of men who, over the years in changing configuration, played anagrams and poker. Along with John Leslie and Harry Mathews, Richard Wilbur, John Malcolm Brinnin, and Leonard Bernstein all took part. A few local women (me included) were deeply resentful at not being eligible. It sounded like such fun! Last spring I took to going to Rust's house to work on jigsaw puzzles with him and John Leslie. It was the closest I got to the legendary all-male game sessions, and it was as delicious as I imagined, even with Rust in feeble form.
In a community of writers, you might think that everyone is talking all the time about literature, but that's not the case. Rust was one of the rare writers who actually talked about books, and it was a delight to talk with him, he was such an unashamed enthusiast. He and I shared a love of Victorian novels, which he was writing about in his last years. Trollope, Dickens, and Hardy were as much fun to him as poker and jigsaw puzzles. He was that kind of guy. I doubt I'll ever see again such a combination of grumpiness and joie de vivre, of impishness and weight."

Rust as he appeared in our 1989 program. Photographer unknown.
"Rust loved a day on the water. No matter the plan for the day, he would arrive at the dock in his usual uniform of oxford shirt and khakis ready to be piped aboard. For him, a good day was any day on the sailboat; and if the boat de-masted, ran aground, or broke a rudder– all the better. As much as he loved sailing, his favorite of all voyages was an afternoon on the powerboat participating in what was to become known as THE FLOATING TOUR OF STOCK ISLAND. The tour would start at Boog Powell's Marina and cross over some shallows to enter the working area of docks, abandoned scows, and precarious stacks of lobster traps. Poking into little known lagoons and large yacht harbors brought out his latent Merchant Marine. He loved the grittiness of a working harbor, the beauty of a well-turned wooden yacht, and the pleasure of eating a sandwich while floating in the shadow of the failed desalination plant. Rust had great enthusiasm for a boat well navigated and a tack well accomplished. He admired accomplishment in many fields and was never afraid to express his enthusiasm and admiration. There will never be a better first mate and master of dunnage."

Rust, on garbage can, and Bill Wright hitchhiking on a road with no cars; Andros Island, 1997. Photo by Phyllis Rose.
"In recent years Rust had been going out less and less, but I ran into him at a party his wife gave. He asked what I had been reading. I lit up with enthusiasm for a book I had just finished by Sam Harris called The End of Faith. Rust asked the book's gist. I said it was an erudite and powerfully written denunciation of all religion which, the author believed, would destroy civilization. Rust shook his head and said, 'I don't have much use for either.'"
LITTORAL is the year-round online voice of the Key West Literary Seminar. We write about literature, Key West, and the authors who have been or will be part of our annual Seminar. Throughout the year on LITTORAL, you'll find podcasts from our growing audio archives, interviews and book reviews, news about the Seminar, links, commentary, and arcana.
Arlo Haskell is editor-in-chief. Send email to arlohaskell [at] gmail [dot] com.


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