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Scheduled Poets Kim Addonizio John Ashbery Lucille Clifton Billy Collins Robert Creeley Martín Espada Lawrence Ferlinghetti Carolyn Forché Forrest Gander Dan Gerber Jane Hirshfield Carolyn Kizer Dorianne Laux Semezdin Mehmedinović Sharon Olds Charles Simic James Tate Quincy Troupe Derek Walcott Richard Wilbur C. D. Wright 2003 Seminar Main Page 2003 Registration 2003 Workshops 2003 Schedule 2003 Lodging Give us your input Literary Seminar Home Page |
TWENTY-FIRST ANNUAL Key West Literary Seminar
the beautiful changes poetry 2003 ![]() Dan Gerber Read Dan Gerber's A Tree on The Prairie in Mid-October and My Father's Fields |
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Copyright © 2002 Key West Literary Seminar |
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A Tree on the Prairie in Mid-October
Something about the single aspen I photographed a dozen times this fall, hidden from view in sage and grass on the far slope of the hill I can see from my bedroom window. Of those who walked with me, no one took notice. I don't know why I am drawn to this gnome-like tree, the way its heart-shaped leaves enliven the sun perhaps, a little more gold each day. Something not only of itself comes out of the tree when I see it, something not me that I am. Our lives are short in the middle and long at both ends. How strange to give up being alone. © Dan Gerber close |
My Father's Fields September 1918 They looked like blackbirds, my father said, that first burst of shrapnel, spiraling up in autumn flight, and at first that's what he thought they were, their glossy wings catching the sun as they wheeled in the morning sky. There was that moment of beauty, the glint of it, in that first day on the Meuse-Argonne before the Earth came off its perch, as if they had offended it somehow, or that's the thought he had, he said, the Earth rising up over every stored transgression, and what had they done to bring this on? Later it was all the dead horses, the field before the river strewn with horses, and his friend, Carl Johnson, sleeping off the numbness of battle, at peace almost, but for the way his leg wrapped up behind him, and the too-wide smile of the bloody mouth across his neck, Carl playing dead among the horses; he thought of Carl with his Belgians at the county fair. 90,000 horses moving up the roads at night. He'd never imagined so many horses in the history of the world, or so many men in their silent march, imagining no longer, the September morning as they looked out on the manicured stubble of the burnt-gold fields and the still green trees in the haze along the river. These few things he noted in his journal, though he spoke to me only of the horses, the things people said, and the newly shorn fields. The trees along the river are what I see when I think my father's thoughts, not the fiery sky, the tangled wire, the splintered forest or all the dead horses, but those fields shorn of wheat, as his father's fields would be in September. © Dan Gerber close |