photo by Curt Richter Barry Unsworth's body of work is marked by scrupulous historical research and compelling narratives. In this recording from the 2009 Key West Literary Seminar, Unsworth discusses the impulses, instincts, and concerns that drive his fascination with history. The often intimate discussion suggests that Unsworth's chief aim as a novelist is to explore the ethical complexities of humankind as presented in the customs and sensibilities of distinct historical periods.

"The past is another country, we know. It's not recoverable. Even our own past, our own childhood is not recoverable. We know that we can't get back to it, but we know at the same time that we've never lost it. We know it belongs to us because it has made us what we are."

From KWLS 2009: Historical Fiction and the Search for Truth
(28:19) / 13.1 MB


To download, right-click here (Mac users: ctrl+click) and choose 'save as'
This recording is being made available for noncommercial and educational use only. All rights to this recorded material belong to the author. © 2009 Barry Unsworth. Used with generous permission from Barry Unsworth.

photo by Isak Tiner Patricia Engel was the winner of the Key West Literary Seminar's Marianne Russo Scholarship for 2009. She subsequently signed a two-book contract with Grove/Atlantic, which will publish Vida, a collection of short stories, in 2010. Engel's short story "Madre Patria," workshopped at KWLS 27 with Hilma Wolitzer, is forthcoming in Quarterly West, while "The Bridge," which debuted at the Seminar, will appear in print in The Atlantic Monthly's 2010 Fiction Issue.

On this recording from 2009, Engel reads from "The Bridge," about a father who throws his young son off Miami's Rickenbacker causeway.

     "When he found out his wife was unfaithful, Hector Castillo told his son to get in the car because they were going fishing. It was after midnight, but this was nothing unusual. The Rickenbacker bridge hanging over Biscayne Bay was full of night fisherman leaning over the railings, catching up on the gossip over beer and fishing lines, avoiding going home to their wives. Except Hector didn't bring any fishing gear with him."

From KWLS 2009: Historical Fiction and the Search for Truth
(7:11) / 3.4 MB


To download, right-click here (Mac users: ctrl+click) and choose 'save as'
This recording is being made available for noncommercial and educational use only. All rights to this recorded material belong to the author. © 2009 Patricia Engel. Used with generous permission from Patricia Engel.

photo by Curt Richter Barry Unsworth is the English-born author of 16 novels, most recently Land of Marvels, a historical novel set in Mesopotamia on the eve of World War I. Three of his books have been shortlisted for the Man Booker Prize, including Sacred Hunger, which is concerned with the 19th-century Atlantic slave trade and won the prestigious award in 1992.

In this recording of the 2009 Key West Literary Seminar John Hersey Memorial address, Unsworth outlines his thoughts on the nature of truth in works of fiction. On the one hand, argues Unsworth, the novelist must strive for accuracy in relating the historical facts of a period. On the other hand, "the writer of fiction should be seeking a larger truth, a purer truth." In pursuit of this aesthetic aim, the author strives to appeal to the reader's experience and intuition, and so may take liberties with "the categories of factual falsehood or truth." In making his case for an "economy of truth," Unsworth cites authors Mark Twain, Umberto Eco, and D.H. Lawrence, as well as British spy-turned-author Peter Wright.

From KWLS 2009: Historical Fiction and the Search for Truth
(39:49) / 18.3 MB


To download, right-click here (Mac users: ctrl+click) and choose 'save as'
This recording is being made available for noncommercial and educational use only. All rights to this recorded material belong to the author. © 2009 Barry Unsworth. Used with generous permission from Barry Unsworth.

photo by Curt Richter Gore Vidal has been one of America's most distinct voices for more than half a century. The author of more than 20 novels, hundreds of essays, and several plays for screen and stage, Vidal is perhaps best known for the eloquent and witheringly sarcastic political commentary that has made him a darling of the American left. With dependably erudite attacks on right-wing figures, this quixotic scion of a privileged political family, friend of the Kennedys and playwright Tennessee Williams, has staked out a unique position in American political and intellectual life.

This recording from the 2009 Key West Literary Seminar consists of an hourlong conversation between Vidal and Jay Parini, his literary executor, a poet, biographer, and critic. Vidal discusses the influences on his work as a historical novelist, his views on the American educational system, and his admiration for figures including Benjamin Franklin, Abraham Lincoln, and Franklin Delano Roosevelt. George W. Bush, then serving his final week in office, is the target of particular scorn, as Vidal levels a litany of complaints accusing his administration of "shredding" the Bill of Rights and striving "to make lying the national pastime." In a question-and-answer session,Vidal discusses efforts to bring Tennessee Williams's final play to the public, as well as his feelings on disgraced financier Bernard Madoff and former vice-presidential candidate Sarah Palin.

From KWLS 2009: Historical Fiction and the Search for Truth
(59:09) / 27.1 MB


To download, right-click here (Mac users: ctrl+click) and choose 'save as'
This recording is being made available for noncommercial and educational use only. All rights to this recorded material belong to the author. © 2009 Gore Vidal and Jay Parini. Used with generous permission from Gore Vidal and Jay Parini.

Photo by Nick Vagnoni Andrea Barrett's acclaimed novels and short-stories are marked by their investigation of scientific and historical themes. In this recording from the 2009 Key West Literary Seminar, Barrett explains how she began to write about science and history in the short story form after the disappointment of writing four unsuccessful novels. "With nothing to lose," Barrett recounts, "I began to write about the thing that I actually loved the most, but had never dared to write fiction about before." She follows this account with an excerpt from "Ship Fever," the title novella of her National Book Award-winning first collection of short stories. In it, Lockland Grant, a bright young doctor who has come to the island of Gros Île in 1847 to treat the population of newly landed Irish immigrants, has fallen victim to the typhus epidemic raging through the community.

From KWLS 2009: Historical Fiction and the Search for Truth
(11:13) / 5.2 MB


To download, right-click here (Mac users: ctrl+click) and choose 'save as'
This recording is being made available for noncommercial and educational use only. All rights to this recorded material belong to the author. © 2009 Andrea Barrett. Used with generous permission from Andrea Barrett.

Photo by Nick Vagnoni Valerie Martin is the author of three collections of short fiction, including The Unfinished Novel and Other Stories; several novels, including Tresspass and Mary Reilly, which was made into a movie with Julia Roberts and John Malkovich; and a nonfiction work about St. Francis of Assisi.

In this recording from the 27th Key West Literary Seminar, Martin reads from her Orange Prize-winning historical novel, Property. Set on a plantation outside New Orleans in 1828, Property is narrated by Manon Gaudet, a slaveowner whose husband has fathered two children with one of Manon's slaves. In the passage presented here, Manon meets with her brother-in-law following an insurrection in which Manon has been shot in the shoulder, the slave has run away, and her husband has been killed.

From KWLS 2009: Historical Fiction and the Search for Truth
(13:54) / 6.4 MB


To download, right-click here (Mac users: ctrl+click) and choose 'save as'
This recording is being made available for noncommercial and educational use only. All rights to this recorded material belong to the author. © 2009 Valerie Martin. Used with generous permission from Valerie Martin.

photo by Curt Richter William Kennedy is best known for the novels of his Albany Cycle. A singular epic of that capital city and its Irish-American clans in the 19th and 20th centuries, the work has earned Kennedy comparisons to James Joyce and Saul Bellow. Among its novels are Billy Phelan's Greatest Game (1979), The Flaming Corsage (1996), and Ironweed (1983), which won the Pulitzer Prize, the National Book Critics Circle Award, and a PEN/Faulkner Award, and was chosen by the Modern Library as one of the 100 best English-language novels of the 20th century.

In this audio recording from the 27th Key West Literary Seminar, Kennedy reads two unpublished pieces. The presentation begins with a brief (5:30) essay recounting Kennedy's first short story, "Eggs," and the lukewarm reaction it garnered from his friends and family. This is followed by a reading from the opening chapter of Kennedy's unnamed novel-in-progress. A continuation of the Albany Cycle, this forthcoming novel focuses on Daniel Quinn, a reporter for the Albany Times Union and the grandson of the Daniel Quinn from Kennedy's Quinn's Book.

From KWLS 2009: Historical Fiction and the Search for Truth
(29:27) / 13.5 MB


To download, right-click here (Mac users: ctrl+click) and choose 'save as'
This recording is being made available for noncommercial and educational use only. All rights to this recorded material belong to the author. © 2009 William Kennedy. Used with generous permission from William Kennedy.

photo by Michael Blades


Tesla's drawing for the AC dynamo;
U.S. patent 390,721 Samantha Hunt is the author of The Invention of Everything Else, which has been shortlisted for the 2009 Orange Prize for Fiction. In this recording from the 2009 Key West Literary Seminar, Hunt discusses the subject of her historical novel, Serbian inventor Nikola Tesla, whose revolutionary inventions included alternating current and wireless technology. Briefly employed by Thomas Edison, Tesla routinely found himself on the wrong side of American capitalism and died impoverished and marginalized. In Hunt's passage, Tesla recounts his initial meeting with the financially-driven American inventor who sought to keep Tesla's inventions from reaching the public.

"'Capitalism! Ever heard of it?'
'Yes, I have,' I said. 'I've heard of it. I'm not certain I agree.'
"There's nothing wrong with capitalism,' he told me."
'Except that in order to sell something, a person must first own it, and how can a person own these things that we are inventing? How could I own alternating current? That's like owning thunder or lightning.'
'Men own thunder all the time. That's how America works. And please, I've heard enough about your alternating current. ... AC is dangerous, and more importantly'– Edison drove his finger once directly into the center of my chest– 'my light bulbs don't work on it.'"

From KWLS 2009: Historical Fiction and the Search for Truth
(14:05) / 6.6 MB


To download, right-click here (Mac users: ctrl+click) and choose 'save as'
This recording is being made available for noncommercial and educational use only. All rights to this recorded material belong to the author. © 2009 Samantha Hunt. Used with generous permission from Samantha Hunt.

photo by Nick Vagnoni David Levering Lewis's two-volume biography of W.E.B. Du Bois, each of which won the Pulitzer Prize, is the definitive work on the life and thought of a complex American intellectual. In this lecture from the 2009 Key West Literary Seminar, Lewis examines Du Bois's largely-forgotten work as a writer of historical fiction, whose journey "beyond the borders of social science certitude" was the result of a "poetic temperament combined with an intellectual's dissatisfaction about the limits of the historically knowable." Lewis discusses Du Bois's early historical novels, The Quest of the Silver Fleece and Dark Princess; as well as the later Black Flame Trilogy (The Ordeal of Mansart, Mansart Builds a School, and Worlds of Color). In a brief question and answer session, Lewis comments on Du Bois's persecution at the hands of the U.S. government during the 1950s, his reputation as a "ladies' man," and his early life and education in Great Barrington, MA.

From KWLS 2009: Historical Fiction and the Search for Truth
(25:35) / 11.8 MB


To download, right-click here (Mac users: ctrl+click) and choose 'save as'
This recording is being made available for noncommercial and educational use only. All rights to this recorded material belong to the author. © 2009 David Levering Lewis. Used with generous permission from David Levering Lewis.

photo by Nick Vagnoni Eric Foner is one of America's preeminent historians, especially known for his work on the post-Civil War period of Reconstruction. In this fascinating lecture from the 2009 Key West Literary Seminar, Foner explores the social and political implications of historical inquiry, and the role of the imagination in the historian's work. Drawing on sources as diverse as Jane Austen, Friedrich Nietszche, Newt Gingrich, and Diane Feinstein, Foner says society's understanding of history is both reflected in and shaped by contemporary thought. Rebutting a popular claim regarding "facts" in the historical record, Foner argues that "the constant search for new perspectives [is] the lifeblood of historical understanding."

“The line between historical scholarship and historical fiction is not as hard and fast as we sometimes might think. ... Every novel is an expression of the sensibility of the novelist; and, as E.H. Carr wrote, 'to study history, study the historian.' The reason historical interpretations change is that historians change, as does the world around them.”

From KWLS 2009: Historical Fiction and the Search for Truth
(38:44) / 17.8 MB


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This recording is being made available for noncommercial and educational use only. All rights to this recorded material belong to the author. © 2009 Eric Foner. Used with generous permission from Eric Foner.

Here's a recording of Allan Gurganus delivering a laugh-out-loud lecture titled "A Still Small Voice Under the Cannonade: Field Notes towards Fiction's Pact with History," during the first session of the 2009 Key West Literary Seminar. We'll amend this post with complete liner notes after the Seminar.

From KWLS 2009: Historical Fiction and the Search for Truth.
(42:31) / 38.9 MB


To download, right-click here (Mac users: ctrl+click) and choose 'save as'
This recording is being made available for noncommercial and educational use only. All rights to this recorded material belong to the author. © 2009 Allan Gurganus. Used with generous permission from Allan Gurganus.

Here's a recording of Geraldine Brooks reading from March, during the first session of the 2009 Key West Literary Seminar. We'll amend this post with complete liner notes after the Seminar.

From KWLS 2009: Historical Fiction and the Search for Truth.
(20:14) / 18.5 MB


To download, right-click here (Mac users: ctrl+click) and choose 'save as'
This recording is being made available for noncommercial and educational use only. All rights to this recorded material belong to the author. © 2009 Geraldine Brooks. Used with generous permission from Geraldine Brooks.

Barry Unsworth is the author of 16 published novels, including the Booker Prize-winning Sacred Hunger, and his newest, Land of Marvels, which The Washington Post has called "immensely intelligent and entertaining."

In this recording from the first session of the 2009 Key West Literary Seminar, Unsworth reads a passage from Land of Marvels, concerning Somerville, the British archelogist whose work on an ancient Assyrian site is threatened by a railroad being constructed by a German company, and Jehar, the financially-motivated Arab he pays to report on the railway's progress.

From KWLS 2009: Historical Fiction and the Search for Truth.
(20:01) / 18.3 MB


To download, right-click here (Mac users: ctrl+click) and choose 'save as'
This recording is being made available for noncommercial and educational use only. All rights to this recorded material belong to the author. © 2009 Barry Unsworth. Used with generous permission from Barry Unsworth.