In 1986, the Fourth Annual Key West Literary Seminar was devoted entirely to the playwright Tennessee Williams. “Tennessee Williams in Key West” brought a number of Williams’s friends and associates to Key West, including publisher James Laughlin and playwright James Leo Herlihy.
One of the earliest known travelogues of the Florida Keys and Key West has been uncovered in South Carolina at the College of Charleston. It establishes, among other things, that Key West’s reputation for drunkenness and questionable behavior has done nothing to dissuade talented writers from visiting the place for 165 years.
David A. Kaufelt, a novelist who founded the Key West Literary Seminar and did more to establish the island city as a fixture in the national literary consciousness than anyone since Ernest Hemingway, died this weekend at his Flagler Street home. He was 74. He arrived in Key West from …Read More
Lyndsay Faye is the author of three inventive, intriguing, and carefully researched novels that interweave fiction, the historical record, and popular culture. Her debut novel Dust and Shadow: an Account of the Ripper Killings by Dr. John H Watson is a tribute to Sir Arthur Conan Doyle’s archetypal detective hero, …Read More
The Monroe County Public Library in Key West is the new owner of a major historical collection following a ceremony this morning in the Florida Keys History Room. Local dignitaries including City of Key West Mayor Craig Cates and Monroe County Mayor Pro-Tem Heather Carruthers attended along with representatives of …Read More
Key West’s Love Lane begins in the shadow of the public library on Fleming Street and runs south for a single block
Players are going to play, and writers are going to write, but once upon a time writers depended upon an arsenal of heavy machinery and skilled technicians to bring their words to readers’ eyes. Herewith, a tribute to the backstage heroes that brought prose to the island city back when …Read More
The New Yorker’s annual summer fiction issue features a brilliant article by Adam Gopnik on the current ‘state’ of crime fiction